Thursday, 8 June 2017

Design (Semester 2)


Task 2



 Organic Design
              

               In the 1930s, there was a belief of that the organic movement was that the furniture and architecture should reflect between the harmony of people and nature. In furniture design this was meant natural materials such as wood, and smooth rounded forms. The legendary French designer Jean Prouve came out of the period showing his bent plywood furniture, as well Marcel Breuer with his laminated birch plywood armchair with a calfskin cushion. The designers were fully dedicated to their craft, and their work was painstakingly made and yet not easily produced.
            In the 1950s Alvar Aalto an architect and furniture designer well known for making use of natural materials and one of the most famous designers of this movement became very successful with his highly mass-produced furniture and lighting. Meanwhile, Wendell Castle the woodworker furniture designer kept a true dedication of his handmade wooden pieces and designs. Later in the 1980s, Castle’s assistant woodworker George Nakashima began working with well-known successful manufacturers to produce his traditionally well-known custom made wooden furniture, only under supervision from the designer himself.
            Since modern technology is changing and evolving too it is allowing a lot of designers to mass produce one of a kind piece on a large scale. For example, take the Dutch designer Joris Laarman, in which he designs furniture using software he creates and afterwards 3D prints the pieces to be assembled by hand just like a jigsaw puzzle. Take his adaptation Chair for example, it is printed using a large low-cost 3D printer than easily welded together coated with metal.
            For me I see that this movement made and brought a lot of change to us people, helping us in creating more creative work in which can be used to help us. As well I see that this movement could also inspire younger generations that are interested in becoming furniture designers.
Reference: Page title: Organic Design | Musei Italiani, Website name: Museiitaliani.org, Publisher: Museo Del Design 1880-1980, The publisher of the document, URL: http://www.museiitaliani.org/organic-design/






International Style

               The International Style emerged in the 1920s and 1930s, the formative decades of modern architecture, as it was first defined by the Americans Henry-Russell Hitchcock and Philip Johnson in 1932, with an emphasis on architectural style, form and aesthetic than the social aspects of the modern movement as emphasised in Europe. The most common characteristics of International styled buildings are rumoured to be in rectilinear forms, light and plain surfaces that have been completely stripped of applied ornamentation and decoration with open interiors spaces in which they are visually weightless. These houses are mostly made of glass and steel with the combination of less visible reinforced concrete these are the materials used for the construction.
            After World War 2, the international Style opened a lot of doors allowing designers to easily achieve multiple style options for vast scaled urban projects, in which this intended to maximize the amount of floor space for a given area, while still attempting to convince local planners and politicians would bring much more needed wealth to the city while on the other hand rejecting the proposal would lead the development to be different.
            The International style identified, categorized and expanded upon characteristics were said to be like Modernism across the world and its stylistic aspects. Hitchcock and Johnson identified three of the most important principles and these were: “the expression of volume rather than mass, the emphasis on balance rather than preconceived symmetry, and the expulsion of applied ornament. Their aim was to define a style that would encapsulate this modern architecture, doing so need specific architects.
            For me this movement really effected the world nowadays as if I am outside I do see some of the houses of this design but a few since they are expansive to build. This could also inspire more designers to find ways to design house like this which could be a bit cheaper than the original designs.
Reference: Page title: The International Style Movement, Artists and Major Works, Website name: The Art Story, Publisher: Unknown, URL: http://www.theartstory.org/movement-international-style.htm
Page title: Architecture in the Early 20th Century, Modernism, Bauhaus, DeStijl and International Style, Website name: YouTube, Publisher: Bauhaus Möbel & Designermöbel, URL: https://www.youtube.com/watch?v=jrol0WsehTM





Pop Design

            Pop Design emerged in the 1950s but remained relevant up to the present day. Product design influenced pop art, and pop art influenced product design. At the time of the post war boom, mass production was already everywhere and brightly coloured commercials were staring people from every corner. The fashion industry also started picking up, pop music as we know it was on the rise and celebrity gossip became a thing.
            Pop Design was mostly known for its bright colours. We see them in commercial graphics, it was a matter of time until it started to influence other design areas. Pop artists often chose industrially mass-produced goods as subjects of their work, and at the same time influencing designers to create completely new original objects. Pop art furniture emerged during the 1960s and relied on bright colours, unusual design and sturdy geometric shapes which were also made of plastic! The reason is that plastic screams consumerism its cheap and can easily be crafted so designers at that time were very successful during this era. The fashion industry did not take long to merge with pop art as well.
            Pop Design was very popular back than although it died a little nowadays and the reason is because of all the heat we have plastic is not that reliable anymore and you can still find most of the first designs if you are lucky enough to find a collector that collects them.
            For me Pop Art and Pop Design are my favourite movements and the reason is that this movement could allow the artist and designer with outstanding ideas brightly coloured. As well another reason I love the movements it is because this is where comics were first introduced to the world and are still mass produced till today. Personally, I think that this is the movement that affected us the most and it still inspires artists and designers till this day.
Reference: Page title: Pop Art Design, Website name: Design-museum.de, Publisher: Unknown, URL: http://www.design-museum.de/en/exhibitions/detailpages/pop-art-design.html


Art (Semester 2)





 Task 2





Pop Art

            In 1952, some artists in London calling themselves the Independent Group started meeting regularly to discuss topics such as mass culture’s place in fine art, the found object, and science and technology. In the early 1950s their members included Eduardo Paolozzi, Richard Hamilton, architects Alison and Peter Smithson, and as well critics such as Lawrence Alloway and Reyner Banham. Britain was still emerging from the post-war years and most of the citizens were ambivalent about popular American culture. Though the group was suspicious for its commercial character, they were happy about the world of pop culture which seemed to promise the future. The imagery that they talked about at length included that which is found in Western movies, comic books, rock and roll music and others.
            The term “Pop art” has many origins it has been attributed to both Lawrence Alloway and Alison and Peter Smithson, as well to Richard Hamilton, in which he defined Pop in a letter whilst the first artwork to define “Pop” was produced by Paolozzi.
            But Originally Pop art was started by the New York artists Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg in America, all of in which are known that drew on popular imagery and were actually part of an international phenomenon.
            The aim for Pop art to be between “high” art and “low” art culture. The concept was that for this art any art may borrow from any source that has been one of the most influential characteristics of Pop art.
            The way I see Pop art is that it is very interesting and an amazing type of art. For me I really love this kind of art and I know that many of the young artists will get inspired by this movement and I am one of them in which I could see myself working with this movements style of art.
References: Year published: Dec 21, 2015, Page title: Pop Art Movement, Website name: YouTube, Publisher: Keshav Nagpal, URL: https://www.youtube.com/watch?v=orI9oDW9dd4








Futurism
              
               Futurism is the most important Italian avant-garde art movement of the 20th century, it celebrated advanced technology and urban modernity. Committed to modern style its members wanted to destroy everything old to recreate and use the new ones. They wanted to show the beauty of the machine, speed, Violence and change to the world.
            These members were embracing in popular media and advanced technologies to show their ideas. Thanks to their ideas eventually led them to their first World War. Most of its members left to embrace Fascism, making Futurism the only twentieth century avant-garde to embrace politics.
            Futurists were even fascinated by the new visual technology, in which allowed them to show movement of an object across a sequence of multiples frames. This technology was an important discovery for them to show a different approach towards movement in paintings, encouraging them with much pulsating qualities.
            Artists that were influenced by Marinetti’s ideas were Umberto Boccioni, Giacomo Balla, Gino Severini, and Carlo Carra in which they believed they could be translated into a modern, figurative art which explored the properties of space and movement. The movement initially centred in Milan but throughout subsequent years it spread because of Marinetti Vigorously promoted it.
            In years prior to emergence of the movement, its members had worked an eclectic range of styles in which they were inspired by Post-Impressionism, after that they continued to do so. Though Severini was mostly interested in Divisionism, in which involved of breaking down light and colour into series of stippled dots and stripes to fracture the picture plane to achieve an ambiguous sense of depth.
            The way I see this movement is very interesting. The reason is that even at their first steps they had already started thinking how the future will be and they started to try and draw it out which may inspire young artists like myself.

References: Year published: 2002, Page title: A Brief Guide to Futurist Art and Futurism, Website name: YouTube, Publisher: alex fox, URL: https://www.youtube.com/watch?v=NZHpmJvU7sM







Minimalism
               In the early 1960s Minimalism emerged in New York among the artists which were self-consciously renouncing recent art in which they thought had become stale and academic. Waves of new influences and rediscovered styles influenced younger artists to question the conventional boundaries between various media. New favoured cool art over the “dramatic”: in which consisted that their sculpture was fabricated from industrial materials and emphasized anonymity over the excess of Abstract Expressionism. Minimalism had triumphed in America and Europe through a combination of forces in which some of them were museum curators, art dealers and publications, plus government patronage by the end of the 1970s. Members of a new movement, Post-Minimalism, were already challenging the authority and were a testament to show how important Minimalism became.
            By Removing certain suggestions of biography from their art or any metaphors of any kind Minimalists distanced themselves from the Abstracts expressionists. Their denial to expression coupled with an interest in making art that avoided looking like a fine art piece which led them to the creation of sleek and geometric works that purposefully had a conventional aesthetic appeal.
            The way they used prefabricated industrial materials, often repeated geometric forms together with the emphasis placed on the physical space occupied by the artwork that led to some of the most important works that forced the viewer to confront the arrangement and scale of the forms. They also led to experience qualities such as weight, height, gravity and a few others. They often faced artworks that demanded a physical as well as a visual response.
            For me this movement is also very interesting as well I might think that it has already influenced my style of work without even noticing that. Also, I really like the way it fights Abstract Expressionism to show that it is a very different and unique art.
Reference: Year published: 2014, Page title: Minimalism (The Art Movement), Website name: YouTube, Publisher: Najeeb Nayazi, URL: https://www.youtube.com/watch?v=IuzqzJveuOg